| Seeing theInside: Bark Painting in Western Arnhem Land L Taylor Clarendon Press, Oxford, 1996 | 206* | 1996 |
| The economic viability of Aboriginal outstations and homelands: a report to the Australian Council for Employment and Training JC Altman, L Taylor Australian Government Publishing Service, 1989 | 99 | 1989 |
| The Rainbow Serpent as visual metaphor in western Arnhem Land L Taylor Oceania 60 (4), 329-344, 1990 | 46 | 1990 |
| 'The same but different': social reproduction and innovation in the art of the Kunwinjku of western Arnhem Land L Taylor The Australian National University (PhD thesis - PDF available), 1987 | 46 | 1987 |
| Marketing aboriginal art in the 1990s: papers presented to a workshop in Canberra, 12-13 June 1990 JC Altman, LE Taylor Aboriginal Studies Press, 1990 | 39 | 1990 |
| Seeing the ‘inside’: Kunwinjku paintings and the symbol of the divided body L Taylor Animals into Art, 371-389, 1989 | 36 | 1989 |
| Survival, Social Cohesion and Rock Art: The Painted Hands of Western Arnhem Land, Australia SK May, L Taylor, C Frieman, PSC Taçon, D Wesley, T Jones, J Goldhahn, ... Cambridge Archaeological Journal 30 (3), 491-510, 2020 | 17 | 2020 |
| ‘They may say tourist, may say truly painting’: aesthetic evaluation and meaning of bark paintings in western Arnhem Land, northern Australia1 L Taylor Journal of the Royal Anthropological Institute 14 (4), 865-885, 2008 | 16 | 2008 |
| The aesthetics of toas: A cross-cultural conundrum L Taylor Canberra anthropology 11 (1), 86-99, 1988 | 12 | 1988 |
| Recent art history in rock country: bark painters inspired by rock paintings L Taylor Relating to Rock Art in the Contemporary World: Navigating Symbolism …, 2016 | 10 | 2016 |
| John Mawurndjul—“I’ve got a different idea”’ L Taylor <<raark>>—John Mawurndjul: Journey through time in northern Australia …, 2005 | 10 | 2005 |
| Fire in the water: Inspiration from country L Taylor Crossing Country: The Alchemy of Western Arnhem Land, 115-130, 2004 | 9 | 2004 |
| Manifestations of the Mimih L Taylor The Power of Knowledge: the Resonance of Tradition, 182-198, 2005 | 8 | 2005 |
| Ancestors into art: an analysis of Pitjantjatjara kulpidji designs and crayon drawings L Taylor Australian National University (Unpublished B.A. Hons Thesis)., 1979 | 8 | 1979 |
| Aboriginal Artists and the Market: Two Case Studies of Cultural Adaptation L Taylor Emergent Inequalities in Aboriginal Australia (Eds. F. Merlan, J. Altman …, 1989 | 7* | 1989 |
| Bodies Revealed: X-ray Art in Western Arnhem Land L Taylor The Oxford Handbook of the Archaeology and Anthropology of Rock Art (Eds …, 2017 | 6 | 2017 |
| Categories of ‘Old’and ‘New’ in Western Arnhem Land Bark Painting L Taylor Long History, Deep Time (Ann McGrath and Mary Ann Jebb eds.), 101-117, 2015 | 6 | 2015 |
| Connections of Spirit: Kuninjku Attachments to Country L Taylor Country, Native Title and Ecology (Ed. J Weir - PDF available), 21-45, 2012 | 6 | 2012 |
| The Visual Arts L Taylor Macquarie Atlas of Indigenous Australia, 114-125, 2005 | 6 | 2005 |
| Painting the Land Story L Taylor National Museum of Australia, 1999 | 6 | 1999 |
jon charles altmanSchool of Regulation and Global Governance, the Australian National UniversityGeverifieerd e-mailadres voor anu.edu.au
