| Myopic loss aversion and stock investments: An empirical study of private investors B Lee, Y Veld-Merkoulova Journal of Banking & Finance 70, 235-246, 2016 | 74 | 2016 |
| Stock market expectations and risk aversion of individual investors B Lee, L Rosenthal, C Veld, Y Veld-Merkoulova International Review of Financial Analysis 40, 122-131, 2015 | 56 | 2015 |
| Internationalisation of Korean performing arts: A case study analysis I Fillis, B Lee European Journal of Marketing 45 (5), 822-846, 2011 | 50 | 2011 |
| Creative futures for new contemporary artists: Opportunities and barriers B Lee, I Fraser, I Fillis International Journal of Arts Management, 9-19, 2018 | 38 | 2018 |
| COVID-19 and arts festivals: Whither transformation R Rentschler, B Lee Journal of Arts and Cultural Management 14 (1), 35-54, 2021 | 35 | 2021 |
| Art, science and organisational interactions: Exploring the value of artist residencies on campus B Lee, I Fillis, K Lehman Journal of Business Research 85, 444-451, 2018 | 32 | 2018 |
| Measuring the cultural value of the Royal Scottish Academy New Contemporaries Exhibition as a platform for emerging artists I Fillis, B Lee, I Fraser Cultural Trends 24 (3), 245-255, 2015 | 31 | 2015 |
| Nudging art lovers to donate B Lee, I Fraser, I Fillis Nonprofit and Voluntary Sector Quarterly 46 (4), 837-858, 2017 | 23 | 2017 |
| Calculative practices and socio-political tensions: A historical analysis of entertainment, arts and accounting in a government agency R Rentschler, B Lee, N Subramaniam Accounting History 26 (1), 80-101, 2021 | 16 | 2021 |
| New forms of finance and funding in the cultural and creative industries. Introduction to the special issue E Loots, D Betzler, T Bille, KJ Borowiecki, B Lee Journal of Cultural Economics 46 (2), 205-230, 2022 | 13 | 2022 |
| The Adelaide Festival and the development of arts in Adelaide A Franklin, B Lee, R Rentschler Journal of Urban Affairs 44 (4-5), 588-613, 2022 | 11 | 2022 |
| National identity and the future of branding the arts R Rentschler, I Fillis, B Lee Futures 145, 103078, 2023 | 8 | 2023 |
| Artists versus arts council: A longitudinal analysis of brand legitimacy R Rentschler, I Fillis, B Lee Poetics 92, 101623, 2022 | 8 | 2022 |
| To sell or not to sell? Pricing strategies of newly-graduated artists B Lee, I Fraser, I Fillis Journal of Business Research 145, 595-604, 2022 | 7 | 2022 |
| Towards an integrative framework for arts governance R Rentschler, B Lee, I Fillis International Journal of Arts Management 24 (1), 17-31, 2021 | 7 | 2021 |
| Philanthropy patterns in major Australian performing arts organizations CC Donelli, R Rentschler, S Fanelli, B Lee Journal of Management and Governance 27 (4), 1367-1396, 2023 | 5 | 2023 |
| Arts marketing during COVID-19: a critical review and theoretical integration I Fillis, K Lehman, R Rentschler, B Lee Arts and the Market 13 (1), 48-63, 2023 | 5 | 2023 |
| The role of institutional relationships in shaping the career development of emerging artists I Fillis, B Lee, I Fraser Arts and the Market 12 (2), 133-149, 2022 | 5 | 2022 |
| Cultural value in conflict B Lee, R Rentschler Exploring Cultural Value, 51-65, 2021 | 5 | 2021 |
| Fair, Balanced and Understandable: Enhancing corporate reporting and assurance? I Fraser, B Lee The Institute of Chartered Accountants of Scotland, 2016 | 5 | 2016 |
ian fillisLiverpool John Moores UniversityGeverifieerd e-mailadres voor ljmu.ac.uk
