Melanie Wald-Fuhrmann
Melanie Wald-Fuhrmann
MPI for Empirical Aesthetics, Frankfurt/M., Germany
Verified email at - Homepage
Cited by
Cited by
Cross-cultural work in music cognition: Challenges, insights, and recommendations
N Jacoby, EH Margulis, M Clayton, E Hannon, H Honing, J Iversen, ...
Music Perception 37 (3), 185-195, 2020
Viral tunes: changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown
LK Fink, LA Warrenburg, C Howlin, WM Randall, NC Hansen, ...
Humanities and Social Sciences Communications 8 (1), 2021
Atonal music: Can uncertainty lead to pleasure?
I Mencke, D Omigie, M Wald-Fuhrmann, E Brattico
Frontiers in neuroscience 12, 979, 2019
"Ein Mittel wider sich selbst." Melancholie in der Instrumentalmusik um 1800
M Wald-Fuhrmann
Bärenreiter, 2010
Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates.
D Omigie, K Frieler, C Bär, R Muralikrishnan, M Wald-Fuhrmann, ...
Psychology of Aesthetics, Creativity, and the Arts 15 (2), 197, 2021
Der Kanon der Musik: Theorie und Geschichte. Ein Handbuch
K Pietschmann, M Wald-Fuhrmann
edition text+ kritik, 2013
Social Convergence in Times of Spatial Distancing: The Role of Music During the COVID-19 Pandemic
NC Hansen, M Wald-Fuhrmann, JW Davidson
Frontiers in Psychology 13, 910101, 2022
Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts
A Czepiel, LK Fink, LT Fink, M Wald-Fuhrmann, M Tröndle, J Merrill
Scientific reports 11 (1), 22457, 2021
“The sound of affect”: Age differences in perceiving valence and arousal in music and their relation to music characteristics and momentary mood
C Cohrdes, C Wrzus, M Wald-Fuhrmann, M Riediger
Musicae Scientiae 24 (1), 21-43, 2020
Welterkenntnis aus Musik. Athanasius Kirchers "Musurgia universalis"
M Wald
Bärenreiter, 2006
The aesthetic experience of live concerts: Self-reports and psychophysiology.
J Merrill, A Czepiel, LT Fink, J Toelle, M Wald-Fuhrmann
Psychology of Aesthetics, Creativity, and the Arts, 2021
Locus of emotion influences psychophysiological reactions to music
J Merrill, D Omigie, M Wald-Fuhrmann
PlosOne 15, e0237641, 2020
Music listening in classical concerts: Theory, literature review, and research program
M Wald-Fuhrmann, H Egermann, A Czepiel, K O’Neill, C Weining, ...
Frontiers in psychology 12, 638783, 2021
Physiological synchrony in audiences of live concerts.
W Tschacher, S Greenwood, H Egermann, M Wald-Fuhrmann, A Czepiel, ...
Psychology of aesthetics, creativity, and the arts, 2021
Live und interaktiv: ästhetisches Erleben im Konzert als Gegenstand empirischer Forschung
C Seibert, J Toelle, M Wald-Fuhrmann
Das Konzert II, 425-444, 2018
“He Who Sings, Prays Twice”? Singing in Roman Catholic Mass Leads to Spiritual and Social Experiences That Are Predicted by Religious and Musical Attitudes
M Wald-Fuhrmann, S Boenneke, T Vroegh, KP Dannecker
Frontiers in Psychology, 2371, 2020
Perception of Nigerian dundún talking drum performances as speech-like vs. music-like: The role of familiarity and acoustic cues
C Durojaye, L Fink, T Roeske, M Wald-Fuhrmann, P Larrouy-Maestri
Frontiers in psychology, 1760, 2021
Entfremdung vom Vertrauten: Das Tonsystem als kompositorischer Problemraum und Herausforderung für die Theorie
M Wald-Fuhrmann
Komponieren in der Renaissance: Lehre und Praxis, 65-103, 2013
Moment musical: Die Wahrnehmbarkeit der Zeit durch Musik
M Wald
Das achtzehnte Jahrhundert 30, 207-220, 2006
Geistliche Vokalmusik
M Wald-Fuhrmann
Bruckner Handbuch, 224-289, 2010
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