Michael Forster
Michael Forster
Consultant for central evaluations and statistics, Vetmeduni Vienna
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Cited by
Cited by
Move me, astonish me… delight my eyes and brain: The Vienna Integrated Model of top-down and bottom-up processes in Art Perception (VIMAP) and corresponding affective …
M Pelowski, PS Markey, M Forster, G Gerger, H Leder
Physics of Life Reviews 21, 80-125, 2017
It felt fluent, and I liked it: subjective feeling of fluency rather than objective fluency determines liking.
M Forster, H Leder, U Ansorge
Emotion 13 (2), 280, 2013
Beyond the lab: An examination of key factors influencing interaction with ‘real’and museum-based art.
M Pelowski, M Forster, PPL Tinio, M Scholl, H Leder
Psychology of Aesthetics, Creativity, and the Arts 11 (3), 245, 2017
Image ambiguity and fluency
M Jakesch, H Leder, M Forster
PLoS One 8 (9), e74084, 2013
The glasses stereotype revisited: Effects of eyeglasses on perception, recognition, and impression of faces.
H Leder, M Forster, G Gerger
Swiss Journal of Psychology/Schweizerische Zeitschrift für Psychologie/Revue …, 2011
Private and shared taste in art and face appreciation
H Leder, J Goller, T Rigotti, M Forster
Frontiers in Human Neuroscience 10, 155, 2016
The Vienna Art Interest and Art Knowledge Questionnaire (VAIAK): A unified and validated measure of art interest and art knowledge.
E Specker, M Forster, H Brinkmann, J Boddy, M Pelowski, R Rosenberg, ...
Psychology of Aesthetics, Creativity, and the Arts 14 (2), 172, 2020
Exploring the subjective feeling of fluency.
M Forster, H Leder, U Ansorge
Experimental Psychology 63 (1), 45, 2016
Well, if they like it... Effects of social groups’ ratings and price information on the appreciation of art.
JO Lauring, M Pelowski, M Forster, M Gondan, M Ptito, R Kupers
Psychology of Aesthetics, Creativity, and the Arts 10 (3), 344, 2016
Understanding the socio-economic divide in Europe
M Forster, A Llena Nozal, C Thévenot
Organization for Economic Cooperation and Development―COPE Centre for …, 2017
Innovation is appreciated when we feel safe: On the situational dependence of the appreciation of innovation
CC Carbon, SJ Faerber, G Gerger, M Forster, H Leder
International Journal of Design 7 (2), 2013
Face inversion increases attractiveness
H Leder, J Goller, M Forster, L Schlageter, MA Paul
Acta psychologica 178, 25-31, 2017
It felt fluent but I did not like it: Fluency effects in faces versus patterns
G Gerger, M Forster, H Leder
Quarterly Journal of Experimental Psychology 70 (4), 637-648, 2017
Warm, lively, rough? Assessing agreement on aesthetic effects of artworks
E Specker, M Forster, H Brinkmann, J Boddy, B Immelmann, J Goller, ...
PLoS One 15 (5), e0232083, 2020
Everything’s relative? Relative differences in processing fluency and the effects on liking
M Forster, G Gerger, H Leder
PloS one 10 (8), e0135944, 2015
Do I really feel it? The contributions of subjective fluency and compatibility in low-level effects on aesthetic appreciation
M Forster, W Fabi, H Leder
Frontiers in human neuroscience 9, 373, 2015
Does gallery lighting really have an impact on appreciation of art? An ecologically valid study of lighting changes and the assessment and emotional experience with …
M Pelowski, A Graser, E Specker, M Forster, J von Hinüber, H Leder
Frontiers in psychology 10, 2148, 2019
Indirect (implicit) and direct (explicit) self-esteem measures are virtually unrelated: A meta-analysis of the initial preference task
J Pietschnig, G Gittler, S Stieger, M Forster, N Gadek, A Gartus, ...
PloS one 13 (9), e0202873, 2018
On the mutual relation between art experience and viewing time.
D Brieber, M Forster, H Leder
Psychology of Aesthetics, Creativity, and the Arts 14 (2), 197, 2020
Trends in Top Incomes and their Taxation in OECD Countries
M Forster, A Llena-Nozal, V Nafilyan
OECD Publishing, 2014
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