| Alien Audiences: Remembering and Evaluating a Classic Movie M Barker, K Egan, T Phillips, S Ralph Springer, 2016 | 43 | 2016 |
| When Film Fans Become Fan Family: Kevin Smith Fandom and Communal Experience T Phillips Participations 8 (2), 2011 | 30 | 2011 |
| Copyright and musicians at the digital margins T Phillips, J Street Media, Culture & Society 37 (3), 342-358, 2015 | 25 | 2015 |
| Embracing the “Overly Confessional:” Scholar-Fandom and Approaches to Personal Research T Phillips http://flowtv.org/2010/12/embracing-the-overly-confessional/ 13, 2010 | 21 | 2010 |
| “Don't clone my indie game, bro”: Informal cultures of videogame regulation in the independent sector T Phillips Cultural Trends 24 (2), 143-153, 2015 | 18 | 2015 |
| Wrestling with grief: fan negotiation of professional/private personas in responses to the Chris Benoit double murder–suicide T Phillips Celebrity Studies 6 (1), 69-84, 2015 | 18 | 2015 |
| What do musicians talk about when they talk about copyright? J Street, T Phillips Popular Music and Society 40 (4), 422-433, 2017 | 14* | 2017 |
| Discussions with developers: F2P and the changing landscape of games business development T Phillips Social, casual and mobile games: The changing gaming Landscape, 61-73, 2016 | 9 | 2016 |
| Understanding the Cultural Value of'In Harmony-Sistema England' M Rimmer, J Street, T Phillips | 9 | 2014 |
| Editors’ Introduction: Foregrounding The Comedy Audience S Friedman, B Mills, T Phillips Participations: Journal of Audience & Reception Studies 8 (2), 120-125, 2011 | 9 | 2011 |
| Fandom and Beyond: Online Community, Culture and Kevin Smith Fandom T Phillips University of East Anglia, 2013 | 7 | 2013 |
| “Angry False‐Teeth‐Chattering Mayhem”: Synecdochic Fandom, Representation and Performance in Mature Woman Fandom of British Professional Wrestling T Phillips A Companion to Media Fandom and Fan Studies, 227, 2018 | 6 | 2018 |
| Blurring Reality and Fiction in WWE Transmedia Narratives T Phillips CST Online, 2014 | 6 | 2014 |
| Too fat to fly: A case study of unsuccessful fan mobilization T Phillips Transformative Works and Cultures 10, 2012 | 5 | 2012 |
| A ‘Step into the Abyss'?: Transmedia in the UK Games and Television Industries KM Johnston, T Phillips International Journal of Gaming and Computer-Mediated Simulations (IJGCMS) 8 …, 2016 | 4 | 2016 |
| Is this Progress? Punk, Participation and the (Potential) Radical Politics of British Professional Wrestling B Litherland, T Phillips, C Warden Seagull Books, 2020 | 3 | 2020 |
| Community Arts: Sustainability in Austerity M Rimmer, T Phillips UEA, 2013 | 3 | 2013 |
| Scholarly grappling: Collaborative'work'in the study of professional wrestling B Litherland, T Phillips, C Warden Journal of Dramatic Theory and Criticism 36 (1), 213-228, 2021 | 2 | 2021 |
| Simultaneously Laughing, Screaming, and Crying T Phillips Disney's Star Wars: Forces of Production, Promotion, and Reception, 254, 2019 | 1 | 2019 |
| An introduction: The Fan Studies Network–new connections, new research L Bennett, T Phillips Participations: The International Journal of Audience and Reception Studies …, 2013 | 1 | 2013 |
John StreetProfessor of Politics, University of East AngliaVerified email at uea.ac.uk
