| Transparent to whom? No algorithmic accountability without a critical audience J Kemper, D Kolkman Information, Communication & Society 22 (14), 2081-2096, 2019 | 250 | 2019 |
| Glitch, the Post-Digital Aesthetic of Failure and Twenty-First-Century Media J Kemper European Journal of Cultural Studies 26 (1), 47-63, 2023 | 10 | 2023 |
| Transparent to whom J Kemper, D Kolkman Information Communication and Society. Advance online publication. doi 10, 2018 | 6 | 2018 |
| Imperfections: Studies in Mistakes, Flaws, and Failures C Kelly, J Kemper, E Rutten Bloomsbury Academic, 2021 | 4 | 2021 |
| Technological aesthetics of imperfection in times of frictionlessness J Kemper | 3 | 2021 |
| The Environment and Frictionless Technology: For a New Conceptualization of the Pharmakon and the Twenty-First-Century User J Kemper Media Theory 6 (2), 55-76, 2022 | 1 | 2022 |
| Silicon Ashes to Silicon Ashes, Digital Dust to Digital Dust: Chronolibido and Technological Fragility in Glitchhiker J Kemper Imperfections: Studies in Mistakes, Flaws, and Failures, New York, London …, 2022 | 1 | 2022 |
| Deep Time and Microtime: Anthropocene Temporalities and Silicon Valley’s Longtermist Scope J Kemper Theory, Culture & Society, 02632764241240662, 2024 | | 2024 |
| Frictionlessness: The Silicon Valley Philosophy of Seamless Technology and the Aesthetic Value of Imperfection J Kemper Bloomsbury Publishing USA, 2024 | | 2024 |
| Repair and Imperfection through the Lens of the Spectral J Kemper, E Rutten Repair, 42-47, 2022 | | 2022 |
| (De) compositions: Time and Technology in William Basinski’s The Disintegration Loops (2002) J Kemper Intermédialités, 2019 | | 2019 |
| The Disintegration Loops (2002) J Kemper | | |
