Follow
Pauline Larrouy-Maestri
Pauline Larrouy-Maestri
Max Planck Institute for Empirical Aesthetics, Germany
Verified email at aesthetics.mpg.de - Homepage
Title
Cited by
Cited by
Year
The evaluation of singing voice accuracy: A comparison between subjective and objective methods
P Larrouy-Maestri, Y Lévêque, D Schön, A Giovanni, D Morsomme
Journal of Voice 27 (2), 259. e1-259. e5, 2013
832013
The mistuning perception test: A new measurement instrument
P Larrouy-Maestri, PMC Harrison, D Müllensiefen
Behavior Research Methods 51, 663-675, 2019
542019
Gibbs sampling with people
P Harrison, R Marjieh, F Adolfi, P van Rijn, M Anglada-Tort, ...
Advances in neural information processing systems 33, 10659-10671, 2020
522020
Singing ability is rooted in vocal-motor control of pitch
S Hutchins, P Larrouy-Maestri, I Peretz
Attention, Perception, & Psychophysics 76, 2522-2530, 2014
482014
Criteria and tools for objectively analysing the vocal accuracy of a popular song
P Larrouy-Maestri, D Morsomme
Logopedics Phoniatrics Vocology 39 (1), 11-18, 2014
462014
The effects of stress on singing voice accuracy
P Larrouy-Maestri, D Morsomme
Journal of Voice 28 (1), 52-58, 2014
402014
The effect of smoking on the fundamental frequency of the speaking voice
MR Ayoub, P Larrouy-Maestri, D Morsomme
Journal of Voice 33 (5), 802. e11-802. e16, 2019
362019
Vocal features of song and speech: Insights from Schoenberg's Pierrot Lunaire
J Merrill, P Larrouy-Maestri
Frontiers in psychology 8, 269856, 2017
342017
On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation?
PQ Pfordresher, P Larrouy-Maestri
Frontiers in Human Neuroscience 9, 271, 2015
342015
The ACM multimedia 2022 computational paralinguistics challenge: Vocalisations, stuttering, activity, & mosquitoes
B Schuller, A Batliner, S Amiriparian, C Bergler, M Gerczuk, N Holz, ...
Proceedings of the 30th ACM International Conference on Multimedia, 7120-7124, 2022
332022
Effects of melody and technique on acoustical and musical features of western operatic singing voices
P Larrouy-Maestri, D Magis, D Morsomme
Journal of Voice 28 (3), 332-340, 2014
332014
The paradoxical role of emotional intensity in the perception of vocal affect
N Holz, P Larrouy-Maestri, D Poeppel
Scientific reports 11 (1), 9663, 2021
322021
The evaluation of vocal pitch accuracy: The case of operatic singing voices
P Larrouy-Maestri, D Magis, D Morsomme
Music Perception: An Interdisciplinary Journal 32 (1), 1-10, 2014
272014
“I know it when I hear it” On listeners’ perception of mistuning
P Larrouy-Maestri
Music & Science 1, 2059204318784582, 2018
232018
Layman versus Professional Musician: Who Makes the Better Judge?
P Larrouy-Maestri, D Magis, M Grabenhorst, D Morsomme
Plos One, 2015
232015
Pitch perception in music: Do scoops matter?
P Larrouy-Maestri, PQ Pfordresher
Journal of Experimental Psychology: Human Perception and Performance 44 (10 …, 2018
212018
The benefit of musical and linguistic expertise on language acquisition in sung material
P Larrouy-Maestri, J Leybaert, R Kolinsky
Musicae Scientiae 17 (2), 217-228, 2013
142013
The variably intense vocalizations of affect and emotion (VIVAE) corpus prompts new perspective on nonspeech perception.
N Holz, P Larrouy-Maestri, D Poeppel
Emotion 22 (1), 213, 2022
122022
Perception of Nigerian dùndún talking drum performances as speech-like vs. music-like: The role of familiarity and acoustic cues
C Durojaye, L Fink, T Roeske, M Wald-Fuhrmann, P Larrouy-Maestri
Frontiers in psychology 12, 652673, 2021
112021
Exploring emotional prototypes in a high dimensional TTS latent space
P Van Rijn, S Mertes, D Schiller, P Harrison, P Larrouy-Maestri, E André, ...
arXiv preprint arXiv:2105.01891, 2021
112021
The system can't perform the operation now. Try again later.
Articles 1–20