| Gazing behavior and coordination during piano duo performance S Kawase Attention, Perception, & Psychophysics 76, 527-540, 2014 | 86 | 2014 |
| Optimal tempo for groove: Its relation to directions of body movement and Japanese nori T Etani, A Marui, S Kawase, PE Keller Frontiers in psychology 9, 289923, 2018 | 68 | 2018 |
| Associations among music majors’ personality traits, empathy, and aptitude for ensemble performance S Kawase Psychology of Music 44 (2), 293-302, 2016 | 34 | 2016 |
| An investigation into the relationship between onset age of musical lessons and levels of sociability in childhood S Kawase, J Ogawa, S Obata, T Hirano Frontiers in psychology 9, 415916, 2018 | 31 | 2018 |
| Assignment of leadership role changes performers' gaze during piano duo performances S Kawase Ecological Psychology 26 (3), 198-215, 2014 | 28 | 2014 |
| Importance of communication cues in music performance according to performers and audience S Kawase International Journal of Psychological Studies 6 (2), 49, 2014 | 24 | 2014 |
| The Concepts and Acoustical Characteristics of ‘Groove’in Japan S Kawase, K Eguchi PopScriptum 11 - The Groove Issue, 2010 | 22 | 2010 |
| Factors influencing audience seat selection in a concert hall: A comparison between music majors and nonmusic majors S Kawase Journal of Environmental Psychology 36, 305-315, 2013 | 21 | 2013 |
| Cyber-physical hybrid environment using a largescale discussion system enhances audiences' participation and satisfaction in the panel discussion S Kawase, T Ito, T Otsuka, A Sengoku, S Shiramatsu, T Matsuo, T Oishi, ... IEICE TRANSACTIONS on Information and Systems 101 (4), 847-855, 2018 | 20 | 2018 |
| Experimental results on large-scale cyber-physical hybrid discussion support T Ito, T Otsuka, S Kawase, A Sengoku, S Shiramatsu, T Ito, E Hideshima, ... International Journal of Crowd Science 1 (1), 26-38, 2017 | 20 | 2017 |
| An exploratory study of gazing behavior during live performance S Kawase ESCOM 2009: 7th Triennial Conference of European Society for the Cognitive …, 2009 | 20 | 2009 |
| Groove rhythm stimulates prefrontal cortex function in groove enjoyers T Fukuie, K Suwabe, S Kawase, T Shimizu, G Ochi, R Kuwamizu, ... Scientific Reports 12 (1), 7377, 2022 | 17 | 2022 |
| Relationships between performers’ daily social skills, social behaviors in ensemble practice, and evaluations of ensemble performance. S Kawase Musicae Scientiae, 1029864915590171, 2015 | 17 | 2015 |
| The role of body movement in co-performers’ temporal coordination K Katahira, T Nakamura, S Kawase, S Yasuda, H Shoda, MR Draguna Proceedings of ICoMCS, 72, 2007 | 17 | 2007 |
| Psychological responses to recorded music as predictors of intentions to attend concerts: Emotions, liking, performance evaluations, and monetary value S Kawase, S Obata Musicae Scientiae 20 (2), 163-172, 2016 | 14 | 2016 |
| Audience gaze while appreciating a multipart musical performance S Kawase, S Obata Consciousness and Cognition 46, 15-26, 2016 | 13 | 2016 |
| A review of psychological and neuroscientific research on musical groove T Etani, A Miura, S Kawase, S Fujii, PE Keller, P Vuust, K Kudo Neuroscience & Biobehavioral Reviews, 105522, 2023 | 9 | 2023 |
| Group music lessons for children aged 1–3 improve accompanying parents’ moods S Kawase, J Ogawa Psychology of Music 48 (3), 410-420, 2020 | 9 | 2020 |
| 合奏における演奏者間コミュニケーション: タイミング調整とその手がかり 河瀬諭 心理学評論 57 (4), 495-510, 2015 | 9 | 2015 |
| Communication channels performers and listeners use: a survey study S Kawase, T Nakamura, MR Draguna, K Katahira, S Yasuda, H Shoda Proceedings of ICoMCS 2007, 76-79, 2007 | 9 | 2007 |
