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Christian Gosvig Olesen
Christian Gosvig Olesen
Assistant Professor Digital Media and Cultural Heritage
Verified email at uva.nl - Homepage
Title
Cited by
Cited by
Year
Film Analysis as Annotation: Exploring Current Tools
LM Estrada, E Hielscher, M Koolen, CG Olesen, J Noordegraaf, J Blom
Moving Image: The Journal of the Association of Moving Image Archivists 17 …, 2017
1312017
Data-driven research for film history: exploring the Jean Desmet collection
CG Olesen, E Masson, J Van Gorp, G Fossati, J Noordegraaf
Moving Image: The Journal of the Association of Moving Image Archivists 16 …, 2016
242016
Film history in the making: Film historiography, digitised archives and digital research dispositifs
CG Olesen
17*2017
Towards a ‘Humanistic Cinemetrics’?
CG Olesen
Amsterdam University Press, 2017
162017
Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction.
E Masson, CG Olesen, N van Noord, G Fossati
DHQ: Digital Humanities Quarterly, 2020
102020
From Text Mining to Visual Classification: Rethinking Computational New Cinema History with Jean Desmet’s Digitised Business Archive
CG Olesen, I Kisjes
Tijdschrift voor Mediageschiedenis 21 (2), 127-145, 2018
52018
Found footage photogénie–An interview with Elif Rongen-Kaynakçi and Mark-Paul Meyer
CG Olesen
NECSUS. European Journal of Media Studies 2 (2), 555-562, 2013
52013
Automatic Annotations and Enrichments for Audiovisual Archives.
N Van Noord, CG Olesen, R Ordelman, J Noordegraaf
ICAART (1), 633-640, 2021
42021
SEMIA and Moving Image Data Visualization: An Overview and Brief Introduction
CG Olesen
The Sensory Moving Image Archive, 2018
42018
Datasets and Colour Visualizations for ‘Data-Driven Film History. A Demonstrator of EYE’s Jean Desmet Collection
CG Olesen, J Gorp, G Fossati
Creative Amsterdam. An E-Humanities Perspective. A Research Program at the …, 2016
32016
Formalising digital formalism: an interview with Adelheid Heftberger and Matthias Zeppelzauer about the Vienna Vertov Project
CG Olesen
Shifting Layers: New Perspectives in Media Archaeology across Digital Media …, 2015
32015
Institutionalizing Moving Image Archival Training: Analyses, Histories, Theories
PD Keidl, CG Olesen
SYNOPTIQUE: An Online Journal of Film and Moving Image Studies 6 (1), 1-139, 2018
22018
Panoramic Visions of the Archive in EYE’s Panorama: A Case Study in Digital Film Historiography
CG Olesen
Cinéma & Cie. Film and Media Studies Journal 14 (22-23), 2014
22014
Notes on the Helpful User Anno 2022
CG Olesen
Journal of Film Preservation, 39-46, 2022
12022
Digital Access as Archival Reconstitution: Algorithmic Sampling, Visualization, and the Production of Meaning in Large Moving Image Repositories
E Masson, CG Olesen
Signata. Annales des sémiotiques/Annals of Semiotics, 2021
12021
Introduction: Film Heritage and Digital Scholarship-Computer-Based Approaches to Film Archiving, Restoration and Philology
R Catanese, A Heftberger, CG Olesen
CINERGIE, 1-6, 2021
12021
“This is our first big experiment”: Paris 1900 (1947) and the Eye Filmmuseum’s early collection-building
C Olesen
Early Popular Visual Culture 17 (2), 207-217, 2019
12019
OCR'ing and classifying Jean Desmet's business archive: methodological implications and new directions for media historical research.
CG Olesen, I Kisjes
DH, 464, 2018
12018
A demonstration of scholarly web annotation support using the W3C annotation data model and RDFa
J Blom, M Koolen, L Melgar, P Boot, RH Dekker, CG Olesen, S Aasman, ...
12017
Film analysis as annotation: Exploring current tools and their affordances
E Hielscher, L Melgar, M Koolen, C Olesen, J Noordegraaf, J Blom
The Moving Image. The Journal of the Association of Moving Image Archivists …, 2017
12017
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