Julian Schaap

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Pauwke BerkersProfessor Sociology of Popular MusicVerified email at eshcc.eur.nl
Stef AupersProfessor of Media Culture, KU LeuvenVerified email at soc.kuleuven.be
Femke VandenbergAssistant Professor, University of GroningenVerified email at rug.nl
Willem de KosterFull Professor of General Sociology, in particular Cultural Sociology, Erasmus University RotterdamVerified email at fsw.eur.nl
Jeroen van der WaalFull Professor of Sociology of Stratification, Erasmus University RotterdamVerified email at essb.eur.nl
Lars de WildtAssistant Professor in Media & Cultural Industries, Centre for Media & Journalism Studies, GroningenVerified email at rug.nl
Heather Savignyde Montfort UniversityVerified email at dmu.ac.uk
Stijn DaenekindtGhent UniversityVerified email at ugent.be
Philomena EssedProfessor of Critical Race, Gender and Leadership Studies, Antioch UniversityVerified email at antioch.edu
Koen van EijckProfessor or arts and culture studies, Erasmus University RotterdamVerified email at eshcc.eur.nl
Joost Oude GroenigerAssistant Professor, Erasmus University RotterdamVerified email at essb.eur.nl
Samira Van BohemenAssociate professor of cultural sociology, Erasmus University RotterdamVerified email at essb.eur.nl
Thomas CalkinsErasmus University RotterdamVerified email at eshcc.eur.nl
Kjell NoordzijErasmus University RotterdamVerified email at essb.eur.nl
Tim van MeursUniversiteit van AmsterdamVerified email at uva.nl
Jaron Harambam, PhDAssistant Professor of Media, Truth Politics and Digitalization, University of Amsterdam, SociologyVerified email at uva.nl
Julia PetersPostdoctoral researcher, Erasmus University RotterdamVerified email at eshcc.eur.nl

Julian Schaap

cultural sociologist

Verified email at eshcc.eur.nl - Homepage

cultural sociology music meaning-making inequality well-being


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? F Vandenberg, M Berghman, J Schaap European societies 23 (sup1), S141-S152, 2021	188	2021
Gender inequality in metal music production P Berkers, J Schaap Emerald Publishing Limited, 2018	109	2018
Grunting alone? Online gender inequality in extreme metal music J Schaap, P Berkers IASPM Journal 4 (1), 101-116, 2014	63	2014
‘Gods in World of Warcraft exist’: Religious reflexivity and the quest for meaning in online computer games J Schaap, S Aupers New Media & Society 19 (11), 1744-1760, 2017	41	2017
Just like Hendrix: Whiteness and the online critical and consumer reception of rock music in the United States, 2003–2013 J Schaap Popular Communication 13 (4), 272-287, 2015	27	2015
“Maybe it’s… skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content J Schaap, P Berkers Consumption Markets & Culture 23 (6), 599-615, 2020	24	2020
Qualitative in-depth interviews: Studying religious meaning-making in MMOs S Aupers, J Schaap, L De Wildt Methods for studying video games and religion, 153-167, 2017	23	2017
Improving empirical scrutiny of the habitus: a plea for incorporating implicit association tests in sociological research J Schaap, J van der Waal, W de Koster Sociology 53 (5), 967-976, 2019	22	2019
Putting the ‘studies’ back into metal music studies H Savigny, J Schaap Metal Music Studies 4 (3), 549-557, 2018	20	2018
Beyond belief: Playing with pagan spirituality in World of Warcraft S Aupers, J Schaap Online-Heidelberg journal of religions on the internet 7, 190-206, 2015	17	2015
YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers P Berkers, J Schaap Metal Music Studies 1 (3), 303-318, 2015	16	2015
“You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configuration J Schaap, P Berkers Sociology of race and ethnicity 6 (3), 416-430, 2020	14	2020
De terugkeer van Alledaags Racisme J Schaap, P Essed Sociologie 13 (1), 93-108, 2017	11	2017
Black Rap, White Rock: Non‐Declarative Culture and the Racialization of Cultural Categories J Schaap, J Van der Waal, W De Koster Sociological Inquiry 92 (4), 1281-1305, 2022	8	2022
Using word embedding models to capture changing media discourses: a study on the role of legitimacy, gender and genre in 24,000 music reviews, 1999–2021 S Daenekindt, J Schaap Journal of Computational Social Science 5 (2), 1615-1636, 2022	7	2022
Write, record, optimize? How musicians reflect on music optimization strategies in the creative production process N Polak, J Schaap New Media & Society, 14614448241243095, 2024	5	2024
Elvis Has Finally Left the Building?: Boundary work, whiteness and the reception of rock music in comparative perspective J Schaap	5	2019
Grunting alone? Online gender inequality in extreme metal music P Berkers, J Schaap IASPM Journal 4 (1), 101-116, 2014	5	2014
Gebonden aan witheid: witte identiteiten en de onbedoelde (re) productie van racisme J Schaap Sociologie 10 (1), 2014	4	2014
De nieuwe Hendrix: Witheid als scheidslijn in de evaluatie van rockmuziek in Nederland en de Verenigde Staten J Schaap, P Berkers Sociologie 14 (2-3), 119-146, 2019	3	2019

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