| Grunting alone? Online gender inequality in extreme metal music J Schaap, P Berkers IASPM Journal 4 (1), 101-116, 2013 | 32 | 2013 |
| Gender inequality in metal music production P Berkers, J Schaap Emerald Group Publishing, 2018 | 25 | 2018 |
| Just like Hendrix: Whiteness and the online critical and consumer reception of rock music in the United States, 2003–2013 J Schaap Popular Communication 13 (4), 272-287, 2015 | 15 | 2015 |
| ‘Gods in World of Warcraft exist’: Religious reflexivity and the quest for meaning in online computer games J Schaap, S Aupers new media & society 19 (11), 1744-1760, 2017 | 14 | 2017 |
| Studying Religious Meaning-Making in MMOs S Aupers, J Schaap, L de Wildt Methods for studying Video games and religion, 2017 | 9 | 2017 |
| Putting the ‘studies’ back into metal music studies H Savigny, J Schaap Metal Music Studies 4 (3), 549-557, 2018 | 8 | 2018 |
| Beyond belief: playing with pagan spirituality in World of Warcraft S Aupers, J Schaap Online-Heidelberg journal of religions on the internet 7, 190-206, 2015 | 8 | 2015 |
| YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers P Berkers, J Schaap Metal Music Studies 1 (3), 303-318, 2015 | 6 | 2015 |
| “Maybe it’s… skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content J Schaap, P Berkers Consumption Markets & Culture 23 (6), 599-615, 2020 | 5 | 2020 |
| Improving Empirical Scrutiny of the Habitus: A Plea for Incorporating Implicit Association Tests in Sociological Research J Schaap, J van der Waal, W de Koster Sociology 53 (5), 967-976, 2019 | 4 | 2019 |
| De nieuwe Hendrix J Schaap, P Berkers Sociologie 14 (2-3), 119-145, 2019 | 2 | 2019 |
| From Thrash to Cash: Forging and Legitimizing Dutch Metal J SCHAAP, P BERKERS Made in the Low Countries, 89-100, 2017 | 2* | 2017 |
| De terugkeer van Alledaags Racisme J Schaap, P Essed Sociologie 13 (1), 93-108, 2017 | 2 | 2017 |
| Gebonden aan witheid: witte identiteiten en de onbedoelde (re) productie van racisme J Schaap Sociologie 10 (1), 78-83, 2014 | 2 | 2014 |
| The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? F Vandenberg, M Berghman, J Schaap European Societies, 1-12, 2020 | 1 | 2020 |
| Elvis Has Finally Left the Building?: Boundary work, whiteness and the reception of rock music in comparative perspective J Schaap | 1 | 2019 |
| Balkonconcerten, lockdownsessies en quarantunes: muziek als sociale geleider tijdens de COVID-19-pandemie J Schaap, F Vandenberg, M Berghman Sociologie, 2020 | | 2020 |
| Een nieuwe start, een frisse toekomst J Harambam, J Pach, J Schaap Tijdschrift Sociologie 1, 1-3, 2020 | | 2020 |
| Role playing, video games and religion J Schaap, S Aupers | | 2020 |
| “You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configuration J Schaap, P Berkers Sociology of race and ethnicity, 2332649219899676, 2020 | | 2020 |
Pauwke BerkersAssociate Professor Sociology of Art and CultureVerified email at eshcc.eur.nl
