Julian Schaap

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Pauwke BerkersProfessor Sociology of Popular MusicVerified email at eshcc.eur.nl
Stef AupersProfessor of Media Culture, KU LeuvenVerified email at soc.kuleuven.be
Femke VandenbergErasmus University RotterdamVerified email at eshcc.eur.nl
Willem de KosterFull Professor of General Sociology, in particular Cultural Sociology, Erasmus University RotterdamVerified email at fsw.eur.nl
Jeroen van der WaalFull Professor of Sociology of Stratification, Erasmus University RotterdamVerified email at essb.eur.nl
Lars de WildtKU Leuven - Institute for Media StudiesVerified email at kuleuven.be
Heather Savignyde Montfort UniversityVerified email at dmu.ac.uk
Philomena EssedProfessor of Critical Race, Gender and Leadership Studies, Antioch UniversityVerified email at antioch.edu
Koen van EijckProfessor or arts and culture studies, Erasmus University RotterdamVerified email at eshcc.eur.nl
Samira Van BohemenAssistant professor of cultural sociology, Erasmus University RotterdamVerified email at essb.eur.nl
Stijn DaenekindtGhent UniversityVerified email at ugent.be
Giselinde KuipersProfessor of Sociology, KU LeuvenVerified email at kuleuven.be
Julia PetersPhD researcher, Ghent UniversityVerified email at ugent.be
Janna MichaelErasmus University RotterdamVerified email at eur.nl
Jaron Harambam, PhDAssistant Professor Participatory AI, Athena Institute, VU University AmsterdamVerified email at vu.nl
Amade M'charekProfessor Anthropology of Science, University of AmsterdamVerified email at uva.nl
Jo HaynesAssociate Professor in SociologyVerified email at bristol.ac.uk
Britt SwartjesPhD student cultural sociologyVerified email at eshcc.eur.nl
Thomas CalkinsErasmus University RotterdamVerified email at eshcc.eur.nl
Frank WeijPhD candidate, Erasmus University RotterdamVerified email at eshcc.eur.nl

Julian Schaap

assistant professor cultural sociology, Erasmus University Rotterdam

Verified email at eshcc.eur.nl - Homepage

culture media music stratification inequality


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The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? F Vandenberg, M Berghman, J Schaap European Societies 23 (sup1), S141-S152, 2021	91	2021
Gender inequality in metal music production P Berkers, J Schaap Emerald Group Publishing, 2018	68	2018
Grunting alone? Online gender inequality in extreme metal music J Schaap, P Berkers IASPM Journal 4 (1), 101-116, 2014	47	2014
‘Gods in World of Warcraft exist’: Religious reflexivity and the quest for meaning in online computer games J Schaap, S Aupers New Media & Society 19 (11), 1744-1760, 2017	20	2017
Just like Hendrix: Whiteness and the online critical and consumer reception of rock music in the United States, 2003–2013 J Schaap Popular Communication 13 (4), 272-287, 2015	20	2015
“Maybe it’s… skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content J Schaap, P Berkers Consumption Markets & Culture 23 (6), 599-615, 2020	17	2020
Putting the ‘studies’ back into metal music studies H Savigny, J Schaap Metal Music Studies 4 (3), 549-557, 2018	16	2018
Qualitative in-depth interviews: Studying religious meaning-making in MMOs S Aupers, J Schaap, L De Wildt Methods for studying Video games and religion, 153-167, 2017	14	2017
Improving empirical scrutiny of the habitus: a plea for incorporating implicit association tests in sociological research J Schaap, J van der Waal, W de Koster Sociology 53 (5), 967-976, 2019	13	2019
YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers P Berkers, J Schaap Metal Music Studies 1 (3), 303-318, 2015	12	2015
De terugkeer van Alledaags Racisme J Schaap, P Essed Sociologie 13 (1), 93-108, 2017	9	2017
“You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configuration J Schaap, P Berkers Sociology of race and ethnicity 6 (3), 416-430, 2020	7	2020
Beyond belief: playing with pagan spirituality in World of Warcraft S Aupers, J Schaap Online-Heidelberg journal of religions on the internet 7, 190-206, 2015	7	2015
Elvis Has Finally Left the Building?: Boundary work, whiteness and the reception of rock music in comparative perspective J Schaap	5	2019
De nieuwe Hendrix: Witheid als scheidslijn in de evaluatie van rockmuziek in Nederland en de Verenigde Staten J Schaap, P Berkers Sociologie 14 (2-3), 119-146, 2019	3	2019
The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formation S van Bohemen, J Schaap, P Berkers Popular Music, Technology, and the Changing Media Ecosystem: From Cassettes …, 2020	2	2020
From thrash to cash: Forging and legitimizing Dutch metal P Berkers, J Schaap Made in the low countries, 61-72, 2017	2	2017
Gebonden aan witheid: witte identiteiten en de onbedoelde (re) productie van racisme J Schaap Tijdschrift Sociologie 10 (1), 78-83, 2014	2	2014
Black Rap, White Rock: Non‐Declarative Culture and the Racialization of Cultural Categories J Schaap, J Van der Waal, W De Koster Sociological Inquiry 92 (4), 1281-1305, 2022	1	2022
Reimagining Rotterdam's Nightlife T Boer, J Schaap Urban Pamphleteer, 20-22, 2021	1	2021

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