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Julian Schaap
Julian Schaap
assistant professor cultural sociology, Erasmus University Rotterdam
Geverifieerd e-mailadres voor eshcc.eur.nl - Homepage
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The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness?
F Vandenberg, M Berghman, J Schaap
European Societies 23 (sup1), S141-S152, 2021
512021
Gender inequality in metal music production
P Berkers, J Schaap
Emerald Group Publishing, 2018
472018
Grunting alone? Online gender inequality in extreme metal music
J Schaap, P Berkers
IASPM Journal 4 (1), 101-116, 2013
412013
Just like Hendrix: Whiteness and the online critical and consumer reception of rock music in the United States, 2003–2013
J Schaap
Popular Communication 13 (4), 272-287, 2015
182015
‘Gods in World of Warcraft exist’: Religious reflexivity and the quest for meaning in online computer games
J Schaap, S Aupers
New Media & Society 19 (11), 1744-1760, 2017
152017
“Maybe it’s… skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content
J Schaap, P Berkers
Consumption Markets & Culture 23 (6), 599-615, 2020
132020
Putting the ‘studies’ back into metal music studies
H Savigny, J Schaap
Metal Music Studies 4 (3), 549-557, 2018
132018
Studying Religious Meaning-Making in MMOs
S Aupers, J Schaap, L De Wildt
Methods for studying Video games and religion, 2017
132017
YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers
P Berkers, J Schaap
Metal Music Studies 1 (3), 303-318, 2015
112015
Improving empirical scrutiny of the habitus: a plea for incorporating implicit association tests in sociological research
J Schaap, J van der Waal, W de Koster
Sociology 53 (5), 967-976, 2019
92019
De terugkeer van Alledaags Racisme
J Schaap, P Essed
Sociologie 13 (1), 93-108, 2017
82017
Beyond belief: playing with pagan spirituality in World of Warcraft
S Aupers, J Schaap
Online-Heidelberg journal of religions on the internet 7, 190-206, 2015
72015
“You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configuration
J Schaap, P Berkers
Sociology of race and ethnicity 6 (3), 416-430, 2020
52020
Elvis Has Finally Left the Building?: Boundary work, whiteness and the reception of rock music in comparative perspective
J Schaap
32019
The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formation
S Bohemen, J Schaap, P Berkers
Popular Music, Technology, and the Changing Media Ecosystem, 115-128, 2020
22020
De nieuwe Hendrix: Witheid als scheidslijn in de evaluatie van rockmuziek in Nederland en de Verenigde Staten 1
J Schaap, P Berkers
Sociologie 14 (2-3), 119-145, 2019
22019
From thrash to cash: Forging and legitimizing Dutch metal
P Berkers, J Schaap
Made in the low countries, 61-72, 2017
22017
Reimagining Rotterdam's Nightlife
T Boer, J Schaap
Urban Pamphleteer, 20-22, 2021
12021
Balkonconcerten, lockdownsessies en quarantunes: muziek als sociale geleider tijdens de COVID-19-pandemie
J Schaap, F Vandenberg, M Berghman
Sociologie, 2020
12020
Cultuursociologie in de lage landen
J Schaap, K Van Eijck, J Michael
Sociologie 14 (2-3), 75-85, 2019
12019
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Artikelen 1–20