Julian Schaap
Julian Schaap
Assistant Professor Sociology of Music, Erasmus University Rotterdam
Geverifieerd e-mailadres voor eshcc.eur.nl - Homepage
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Grunting alone? Online gender inequality in extreme metal music
J Schaap, P Berkers
IASPM Journal 4 (1), 101-116, 2013
282013
Gender inequality in metal music production
P Berkers, J Schaap
Emerald Group Publishing, 2018
192018
Just like Hendrix: Whiteness and the online critical and consumer reception of rock music in the United States, 2003–2013
J Schaap
Popular Communication 13 (4), 272-287, 2015
152015
‘Gods in World of Warcraft exist’: Religious reflexivity and the quest for meaning in online computer games
J Schaap, S Aupers
new media & society 19 (11), 1744-1760, 2017
132017
Studying Religious Meaning-Making in MMOs
S Aupers, J Schaap, L de Wildt
Methods for studying Video games and religion, 2017
92017
Beyond belief: playing with pagan spirituality in World of Warcraft
S Aupers, J Schaap
Online-Heidelberg journal of religions on the internet 7, 190-206, 2015
82015
Putting the ‘studies’ back into metal music studies
H Savigny, J Schaap
Metal Music Studies 4 (3), 549-557, 2018
72018
YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers
P Berkers, J Schaap
Metal Music Studies 1 (3), 303-318, 2015
62015
“Maybe it’s… skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content
J Schaap, P Berkers
Consumption Markets & Culture, 1-17, 2019
42019
Improving Empirical Scrutiny of the Habitus: A Plea for Incorporating Implicit Association Tests in Sociological Research
J Schaap, J van der Waal, W de Koster
Sociology 53 (5), 967-976, 2019
32019
From Thrash to Cash: Forging and Legitimizing Dutch Metal
J SCHAAP, P BERKERS
Made in the Low Countries, 89-100, 2017
2*2017
De terugkeer van Alledaags Racisme
J Schaap, P Essed
Sociologie 13 (1), 93-108, 2017
22017
Gebonden aan witheid: witte identiteiten en de onbedoelde (re) productie van racisme
J Schaap
Sociologie 10 (1), 78-83, 2014
22014
Elvis Has Finally Left the Building?: Boundary work, whiteness and the reception of rock music in comparative perspective
J Schaap
12019
De nieuwe Hendrix
J Schaap, P Berkers
Sociologie 14 (2-3), 119-145, 2019
12019
The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness?
F Vandenberg, M Berghman, J Schaap
European Societies, 1-12, 2020
2020
Balkonconcerten, lockdownsessies en quarantunes: muziek als sociale geleider tijdens de COVID-19-pandemie
J Schaap, F Vandenberg, M Berghman
Tijdschrift Sociologie 1 (dossier Corona), 101-114, 2020
2020
Een nieuwe start, een frisse toekomst
J Harambam, J Pach, J Schaap
Tijdschrift Sociologie 1, 1-3, 2020
2020
Role playing, video games and religion
J Schaap, S Aupers
2020
“You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configuration
J Schaap, P Berkers
Sociology of race and ethnicity, 2332649219899676, 2020
2020
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Artikelen 1–20