| COVID-19 and the UK live music industry: a crisis of spatial materiality IA Taylor, S Raine, C Hamilton The Journal of Media Art Study and Theory 1 (2), 219-241, 2020 | 27 | 2020 |
| Popular music, digital technologies and data analysis: New methods and questions C Hamilton Convergence 25 (2), 225-240, 2019 | 21 | 2019 |
| Crisis as a catalyst for change: COVID-19, spatiality and the UK live music industry IA Taylor, S Raine, C Hamilton IASPM@ Journal 11 (1), 6-21, 2021 | 11 | 2021 |
| 1-2-3-4! Measuring the values of live music: methods, models and motivations A van der Hoeven, A Behr, C Hamilton, M Mulder, P Rozbicka Arts and the Market 11 (2), 147-166, 2021 | 11 | 2021 |
| Rate and review: Exploring listener motivations for engagement with music podcasts C Hamilton, S Barber Radio Journal: International Studies in Broadcast & Audio Media 20 (1), 17-32, 2022 | 4 | 2022 |
| Birmingham Live Music and Brexit P Rozbicka, C Hamilton, A Behr, PC Vila, LJ Davies Aston University, 2019 | 4 | 2019 |
| Brexit and the UK live music industry P Rozbicka, A Behr, C Hamilton The Bloomsbury Handbook of Popular Music Policy, 321-332, 2022 | 3 | 2022 |
| Reconceiving spatiality and value in the live music industries in response to COVID-19 I Taylor, S Raine, C Hamilton Remaking Culture and Music Spaces, 75-87, 2022 | 2 | 2022 |
| The UK Live Music Industry in a post-2019 era: A Globalised local perspective P Rozbicka, A Behr, C Hamilton | 2 | 2022 |
| Birmingham and the (International) Business of Live Music in Times of COVID-19. A Behr, C Hamilton, P Rozbicka Journal of world popular music 9, 2022 | 2 | 2022 |
| Lockdown delay: how music venues will be impacted by uncertainty over relaxing restrictions P Rozbicka, A Behr, C Hamilton | 2 | 2021 |
| Birmingham Live Music and Brexit - Report P Rozbicka, C Hamilton, A Behr, P Correa, LJ Davies https://www2.aston.ac.uk/lss/research/lss-research/aston-centre-europe …, 2019 | 2 | 2019 |
| The Harkive Project: Rethinking Music Consumption C Hamilton Networking Knowledge: Journal of the MeCCSA Postgraduate Network 9 (5), 2016 | 2 | 2016 |
| Global governance of AI songwriting P Rozbicka, S Barber, N Gebhardt, C Hamilton Global Policy, 2023 | 1 | 2023 |
| Popular music reception: Tools of future-making, spaces, and possibilities of being C Hamilton, S Raine Peter Lang, 2020 | 1 | 2020 |
| Riffs: A Punk Pedagogy Manifesto A Draganova, M Grimes, C Hamilton, I Taylor, S Raine Punk Pedagogies in Practice, 166-180, 2023 | | 2023 |
| Live Music Ecologies in the UK–A local perspective in the context of the pandemic P Rozbicka, A Behr, C Hamilton | | 2022 |
| A live music map for Birmingham in times of COVID-19 P Rozbicka, C Hamilton, A Behr | | 2020 |
| The Harkive Project: popular music reception, digital technologies, and data analysis C Hamilton Helen Barlow and David Rowland (eds). The Experience of Listening to Music …, 2019 | | 2019 |
| RIFFS: Un experimento en la escritura de investigación y publicación sobre música popular S Raine, C Hamilton post (s) 4, 2018 | | 2018 |
Patrycja RozbickaAssociate Professor in Politics and International Relations, Aston UniversityGeverifieerd e-mailadres voor aston.ac.uk
