| Badu 15 and the Papuan‐Austronesian settlement of Torres Strait B David, I McNiven, R Mitchell, M Orr, S Haberle, L Brady, J Crouch Archaeology in Oceania 39 (2), 65-78, 2004 | 78 | 2004 |
| Negotiating Yanyuwa rock art: relational and affectual experiences in the southwest Gulf of Carpentaria, northern Australia LM Brady, JJ Bradley, AJ Kearney Current Anthropology 57 (1), 28-52, 2016 | 74 | 2016 |
| Goba of Mua: archaeology working with oral tradition B David, I McNiven, L Manas, J Manas, S Savage, J Crouch, G Neliman, ... Antiquity 78 (299), 158-172, 2004 | 59 | 2004 |
| Digital enhancement of deteriorated and superimposed pigment art: methods and case studies LM Brady, RG Gunn A companion to rock art, 625-643, 2012 | 51 | 2012 |
| Kula Rock-Art Site, Dauan Island, Torres Strait IJ McNiven, B David, L Brady, J Brayer Memoirs of the Queensland Museum, Culture 3 (1), 227-255, 2004 | 49 | 2004 |
| Sitting in the gap: ethnoarchaeology, rock art and methodological openness LM Brady, A Kearney World Archaeology 48 (5), 642-655, 2016 | 45 | 2016 |
| Documenting and analyzing rock, paintings from Torres Strait, NE Australia, with digital photography and computer image enhancement LM Brady Journal of Field Archaeology 31 (4), 363-379, 2006 | 42 | 2006 |
| Pictures, patterns & objects: Rock-art of the Torres Strait Islands, northeastern Australia L Brady Australian Scholarly Publishing, 2010 | 35 | 2010 |
| Relating to rock art in the contemporary world: navigating symbolism, meaning, and significance LM Brady, PSC Taçon University Press of Colorado, 2016 | 29 | 2016 |
| Images of relatedness: patterning and cultural contexts in Yanyuwa rock art, Sir Edward Pellew Islands, SW Gulf of Carpentaria, northern Australia LM Brady, JJ Bradley Rock Art Research 31 (2), 157-176, 2014 | 29 | 2014 |
| ‘Who do you want to kill?’Affectual and relational understandings at a sorcery rock art site in the southwest Gulf of Carpentaria, northern Australia LM Brady, JJ Bradley Journal of the Royal Anthropological Institute 22 (4), 884-901, 2016 | 27 | 2016 |
| Reconsidering regional rock art styles: exploring cultural and relational understandings in northern Australia’s Gulf country LM Brady, JJ Bradley Journal of Social Archaeology 14 (3), 361-382, 2014 | 27 | 2014 |
| Tigershark Rockshelter (Baidamau Mudh): seascape and settlement reconfigurations on the sacred islet of Pulu, western Zenadh Kes (Torres Strait) IJ McNiven, J Crouch, M Weisler, N Kemp, L Clayton Martinez, J Stanisic, ... Australian Archaeology 66 (1), 15-32, 2008 | 27 | 2008 |
| The Argan stone arrangement complex, Badu: initial results from Torres Strait B David, I McNiven, M Badulgal, J Crouch, L Brady Australian Archaeology 58 (1), 1-6, 2004 | 26 | 2004 |
| A different look: Comparative rock-art recording from the Torres Strait using computer enhancement techniques LM Brady Australian Aboriginal Studies, 98-115, 2007 | 25 | 2007 |
| (Re) Engaging with the (un) known: collaboration, Indigenous knowledge, and reaffirming Aboriginal identity in the Torres Strait Islands, Northeastern Australia LM Brady Collaborative Anthropologies 2 (1), 33-64, 2009 | 24 | 2009 |
| Maliwawa figures—a previously undescribed Arnhem Land rock art style PSC Taçon, SK May, R Lamilami, F McKeague, IG Johnston, A Jalandoni, ... Australian Archaeology 86 (3), 208-225, 2020 | 23 | 2020 |
| Recording rock art: strategies, challenges, and embracing the digital revolution LM Brady, J Hampson, I Domingo Sanz | 23 | 2017 |
| Rock art and seascapes IJ McNiven, LM Brady A companion to rock art, 69-89, 2012 | 23 | 2012 |
| Painting Patterns: Torres Strait Region Rock Art, NE Australia LM Brady Monash University, 2005 | 20 | 2005 |
