Negotiated moments: improvisation, sound, and subjectivity G Siddall, E Waterman Duke University Press, 2016 | 49 | 2016 |
Getting Out of the Black Box: analogising the use of computers in electronic music and sound art D Charrieras, F Mouillot Organised Sound 20 (2), 191-199, 2015 | 8 | 2015 |
Resisting Poems: Expressions of Dissent and Hegemony in Modern Basque Bertsolaritza F Mouillot Critical Studies in Improvisation/Études critiques en improvisation 5 (1), 2009 | 7 | 2009 |
The social and cultural dimension of ‘platforming’live music: the case of the Hong Kong independent music scene during the Covid-19 pandemic F Mouillot Popular Communication 20 (4), 274-291, 2022 | 6 | 2022 |
Fractured Scenes: Underground Music-Making in Hong Kong and East Asia D Charrieras, F Mouillot | 5 | 2021 |
Industrial isolation and cultural self-exile: the formation of an independent music scene in Montreal F Mouillot Geographically Isolated and Peripheral Music Scenes: Global Insights and …, 2021 | 3 | 2021 |
Constellation Records: Punk, Pós-Rock, e Música Experimental na Angloboemia de Montreal F Mouillot Cidades Musicais: Comunicação, territorialidade e política, 341-363, 2018 | 3 | 2018 |
Distribution Ambiances Magnétiques Etcetera and Constellation Records: DIY Record Labels and the Montreal Experimental Music Scene F Mouillot McGill University (Canada), 2017 | 3 | 2017 |
Interview with Kung Chi Shing F Mouillot, D Charrieras Fractured Scenes: Underground Music-Making in Hong Kong and East Asia, 51-61, 2021 | 2 | 2021 |
Streaming and the Online Hong Kong Underground: Conversations with Two Hong Kong Improvised Music Actors F Mouillot Critical Studies in Improvisation/Études critiques en improvisation 14 (2-3), 2021 | 2 | 2021 |
Hearing the inaudible: The Hong Kong experimental music scene in the COVID-19 pandemic F Mouillot Perfect Beat 21 (2), 123–134-123–134, 2021 | 1 | 2021 |
Interview with Samson Young F Mouillot, D Charrieras Fractured Scenes: Underground Music-Making in Hong Kong and East Asia, 109-119, 2021 | 1 | 2021 |
Nomadism, Fragmentation, and Marginality: The Hong Kong Music Underground in the East Asian Context D Charrieras, F Mouillot Fractured Scenes: Underground Music-Making in Hong Kong and East Asia, 1-22, 2021 | 1 | 2021 |
Arbutus Records and MUTEK: Two Models of Experimental Electronic Music Promotion in Montreal F Mouillot Electronic Cities: Music, Policies and Space in the 21st Century, 95-114, 2021 | 1 | 2021 |
Art accessibility for people with visual impairments: what can AI do? XU Xiaoyu, L ROSSI, F MOUILLOT CityU-PolyU Joint conference: Talking Across the World & Business and …, 2023 | | 2023 |
Made in Hong Kong. Studies in Popular Music. Edited by Anthony Fung and Alice Chik. London: Routledge, 2020. 234 pp. ISBN 978-0-367-22698-5 F Mouillot Popular Music 42 (2), 207-209, 2023 | | 2023 |
Made in Hong Kong. Studies in Popular Music F Mouillot POPULAR MUSIC, 2023 | | 2023 |
A dimensão social e cultural de ‘platforming’da música ao vivo: o caso da cena musical independente de Hong Kong durante a pandemia de COVID-19 F Mouillot, S Sousa Todas as Artes 4 (3), 2021 | | 2021 |
Landscape Forms: Machine Learning, 3D Form and Figuration P Nelson, RA Trillo, F Mouillot, D Shanken, M Antony, R Au, M Duan, ... | | 2021 |
Interview with Xper. Xr. D Charrieras, F Mouillot Fractured Scenes: Underground Music-Making in Hong Kong and East Asia, 37-49, 2021 | | 2021 |