| Cultural value and cultural policy: some evidence from the world of live music A Behr, M Brennan, M Cloonan International Journal of Cultural Policy 22 (3), 403-418, 2016 | 114 | 2016 |
| Live concert performance: An ecological approach A Behr, M Brennan, M Cloonan, S Frith, E Webster Rock Music Studies 3 (1), 5-23, 2016 | 104 | 2016 |
| Valuing live music: The UK live music census 2017 report E Webster, M Brennan, A Behr, M Cloonan, J Ansell Newcastle University, 2018 | 67 | 2018 |
| The cultural value of live music from the pub to the stadium: Getting beyond the numbers A Behr, M Brennan, M Cloonan University of Edinburgh/University of Glasgow/AHRC/Live Music Exchange, 2014 | 40 | 2014 |
| The sampling continuum: musical aesthetics and ethics in the age of digital production A Behr, K Negus, J Street Journal for Cultural Research 21 (3), 223-240, 2017 | 32 | 2017 |
| Making live music count: the UK live music census A Behr, E Webster, M Brennan, M Cloonan, J Ansell Popular Music and Society 43 (5), 501-522, 2020 | 26 | 2020 |
| Going spare? Concert tickets, touting and cultural value A Behr, M Cloonan International Journal of Cultural Policy 26 (1), 95-108, 2020 | 25 | 2020 |
| Join together with the band: Authenticating collective creativity in bands and the myth of rock authenticity reappraised A Behr Rock Music Studies 2 (1), 1-21, 2015 | 23 | 2015 |
| The place of popular music in Scotland's cultural policy A Behr, M Brennan Cultural Trends 23 (3), 169-177, 2014 | 21 | 2014 |
| Copying, copyright and originality: imitation, transformation and popular musicians K Negus, J Street, A Behr European Journal of Cultural Studies 20 (4), 363-380, 2017 | 18 | 2017 |
| Group identity: Bands, rock and popular music A Behr University of Stirling, 2010 | 16 | 2010 |
| Cultural Policy and the Creative Industries A Behr, J Shepherd, K Devine The Routledge Reader on The Sociology of Music. London: Routledge, 277-286, 2015 | 14 | 2015 |
| The real “crossroads” of live music–the conventions of performance at open mic nights in Edinburgh A Behr Social Semiotics 22 (5), 559-573, 2012 | 14 | 2012 |
| 1-2-3-4! Measuring the values of live music: methods, models and motivations A van der Hoeven, A Behr, C Hamilton, M Mulder, P Rozbicka Arts and the Market 11 (2), 147-166, 2021 | 11 | 2021 |
| Five ways musicians are responding to the coronavirus crisis A Behr The Conversation, 2020 | 8 | 2020 |
| Copy rights: The politics of copying and creativity J Street, K Negus, A Behr Political Studies 66 (1), 63-80, 2018 | 8 | 2018 |
| Live concert performance: An ecological approach'Rock Music Studies, vol. 3, no. 1 A Behr, M Brennan, M Cloonan, S Frith, E Webster DOI 10 (19401159.2015), 1125633, 2016 | 6 | 2016 |
| Introduction to the Special Issue on Pop Music Festivals and (Cultural) Policies B Flath, A Behr, M Cloonan IASPM Journal, 2019 | 5 | 2019 |
| Edinburgh Live Music Census 2015: Pilot Study A Behr, M Brennan, E Webster http://livemusicexchange.org/wp-content/uploads/Edinburgh-Live-Music-Census …, 2015 | 5* | 2015 |
| Martin Cloonan with Jake Ansell. 2018. Valuing Live Music: The UK Live Music Census 2017 Report E Webster, M Brennan, A Behr | 5 | |
Matt BrennanProfessor of Popular Music, University of GlasgowGeverifieerd e-mailadres voor glasgow.ac.uk
