Maptap and cornelia slow digital art history and formal art historical social network research K Brosens, K Alen, A Slegten, F Truyen Zeitschrift für Kunstgeschichte 79 (3), 315-330, 2016 | 25 | 2016 |
European tapestries in the Art Institute of Chicago K Brosens Yale university press; New Haven, 2008 | 24 | 2008 |
A contextual study of Brussels tapestry, 1670-1770: the dye works and tapestry workshop of Urbanus Leyniers (1674-1747) K Brosens Koninklijke Vlaamse academie van België voor wetenschappen en kunsten …, 2004 | 20 | 2004 |
The organisation of seventeenth-century tapestry production in Brussels and Paris: a comparative view K Brosens De zeventiende eeuw: cultuur in de Nederlanden in interdisciplinair …, 2004 | 14 | 2004 |
Brussels Tapestry Producer Judocus de Vos (1661/62-1734)—New Data and Design Attributions K Brosens Studies in the Decorative Arts 9 (2), 58-86, 2002 | 14 | 2002 |
Introducing layers of meaning (LOM): a framework to reduce semantic distance of visualization in humanistic research H Lamqaddam, AV Moere, VV Abeele, K Brosens, K Verbert IEEE Transactions on Visualization and Computer Graphics 27 (2), 1084-1094, 2020 | 13 | 2020 |
When the tech kids are running too fast: Data visualisation through the lens of art history research H Lamqaddam, K Brosens, F Truyen, RJ Beerens, I De Prekel, K Verbert IEEE Transactions on Visualization and Computer Graphics, 2018 | 12 | 2018 |
A contextual study of Brussels Tapestry, 1670-1770 K Brosens The dye works and Tapestry workshop of Urbanus Leyniers (1674-1747 …, 2004 | 10 | 2004 |
Les aventures de Don Quichotte, tapisseries bruxelloises de l'atelier Leyniers-Reydams G Delmarcel, K Brosens Belgisch tijdschrift voor Oudheidkunde en Kunstgeschiedenis, 55-92, 1998 | 10 | 1998 |
Slow Digital Art History in Action: Project Cornelia’s Computational Approach to Seventeenth-century Flemish Creative Communities K Brosens, J Aerts, K Alen, RJ Beerens, B Cardoso, I De Prekel, ... Visual Resources 35 (1-2), 105-124, 2019 | 9 | 2019 |
Spanish Family Pride in Flemish Wool and Silk: The Moncada and their Baroque Tapestry Collection K Brosens, G Delmarcel, M Garcia Calvo Yale University Press; New Haven and London, 2010 | 9 | 2010 |
Charles Le Brun's Meleager and Atalanta and Brussels Tapestry c. 1675 K Brosens Studies in the Decorative Arts 11 (1), 5-37, 2003 | 9 | 2003 |
Family ties: Art production and kinship patterns in the early modern Low Countries K Brosens, L Kelchtermans, K Stighelen (No Title), 2012 | 8 | 2012 |
Communicating uncertainty in digital humanities visualization research G Panagiotidou, H Lamqaddam, J Poblome, K Brosens, K Verbert, ... IEEE Transactions on Visualization and Computer Graphics 29 (1), 635-645, 2022 | 6 | 2022 |
Nahr: A visual representation of social networks as support for art history research H Lamqaddam, J Aerts, K Brosens, K Verbert Proceedings of the 10th Nordic Conference on Human-Computer Interaction, 634-641, 2018 | 6 | 2018 |
Tapestry: Luxurious art, collaborative industry K Brosens A Companion to Renaissance and Baroque art, 295-315, 2013 | 6 | 2013 |
Rubens. Subjects from history. 3. The Constantine series K Brosens Harvey Miller; London, 2011 | 6 | 2011 |
New Light on the Raes Workshop in Brussels and Rubens’s Achilles Series’ K Brosens Tapestry in the Baroque: New Aspects of Production and Patronage, 24, 2010 | 6 | 2010 |
Matthijs Roelandts, Joris Leemans and Lanceloot Lefebure: new data on Baroque tapestry in Brussels K Brosens, V De Laet The Burlington Magazine 151 (1275), 360-367, 2009 | 6 | 2009 |
Who Commissioned Rubens's" Constantine" Series? A New Perspective: The Entrepreneurial Strategy of Marc Comans and François de la Planche K Brosens, M Hoyle Simiolus: Netherlands Quarterly for the History of Art 33 (3), 166-182, 2007 | 6 | 2007 |