| David Bowie: Critical Perspectives E Devereux, A Dillane, MJ Power Routledge, 2015 | 43 | 2015 |
| info E Devereux, MJ Power, A Dillane by: Intellect| Publication: July 2011, 2011 | 28 | 2011 |
| Public and political discourses of migration: International perspectives A Haynes, MJ Power, E Devereux, A Dillane, J Carr Rowman & Littlefield, 2016 | 26 | 2016 |
| A push and a shove and the land is ours: Morrissey's counter-hegemonic stance (s) on social class MJ Power, A Dillane, E Devereux Critical Discourse Studies 9 (4), 375-392, 2012 | 22 | 2012 |
| Songs of Social Protest: International Perspectives A Dillane, MJ Power, E Devereux, A Haynes | 20 | 2018 |
| Sound tracts, songlines, and soft repertoires: Irish music performance and the city of Chicago A Dillane The University of Chicago, 2009 | 11 | 2009 |
| “You’ll Never Kill Our Will To Be Free”: Damien Dempsey’s “Colony” as a Critique of Historical and Contemporary Colonialism MJ Power, A Dillane, E Devereux MUSICultures 44 (2), 2017 | 9 | 2017 |
| Irish traditional music dissemination at the end of the long nineteenth century: Francis O’Neill’s music of Ireland (1903) and the city of Chicago A Dillane Knowledge dissemination in the long nineteenth century: European and …, 2016 | 9 | 2016 |
| Irish music orientalism A Dillane, M Noone New Hibernia Review/Iris Éireannach Nua 20 (1), 121-137, 2016 | 8 | 2016 |
| “I sing out to the youth of the slums”: Morrissey and Class Disgust MJ Power, A Dillane, E Devereux PoPular Music and society 39 (5), 547-562, 2016 | 7 | 2016 |
| ‘I Can Have Both’: A queer reading of Morrissey A Dillane, MJ Power, E Devereux Journal of European Popular Culture 5 (2), 149-163, 2014 | 7 | 2014 |
| Composing Identity, Fiddling with (Post) Ethnicity: Liz Carroll’s “Lake Effect” A Dillane MUSICultures 40 (1), 2013 | 7 | 2013 |
| Against the Grain: Counter-Hegemonic Representations of Pre and Post ‘Celtic-Tiger’Ireland in the Protest Songs of Damien Dempsey A Dillane, M Power, E Devereux, A Haynes Songs of Social Protest: International Perspectives, 455-73, 2018 | 6 | 2018 |
| Urban soundscapes and critical citizenship: Explorations in activating a ‘sonic turn’in urban cultural studies A Dillane, T Langlois, MJ Power, ON Bhriain Journal of Urban Cultural Studies 2 (1-2), 89-105, 2015 | 6 | 2015 |
| Culminating sounds and (en) visions: Ashes to Ashes and the case for Pierrot A Dillane, E Devereux, MJ Power David Bowie, 35-55, 2015 | 6 | 2015 |
| Aislings and Avatars: Irish (Traditional) Music, Performativity, and Cultural Intimacy A Dillane Traditional Music Archive [and] the Irish Traditional Music Society …, 2014 | 6 | 2014 |
| Introduction: Stand up, sing out: The contemporary relevance of protest song A Dillane, M Power, A Haynes, E Devereux Songs of social protest: International perspectives, 1-10, 2018 | 5 | 2018 |
| Our sounds, our city: Urban soundscapes, critical citizenship and the ‘LimerickSoundscapes’ project A Dillane, T Langlois Journal of Urban Cultural Studies 2 (1-2), 135-150, 2015 | 5 | 2015 |
| Nostalgic songlines and the performance of Irish identity A Dillane Béaloideas, 19-36, 2013 | 5 | 2013 |
| Speedway for beginners: Morrissey, Martyrdom and ambiguity E Devereux, A Dillane Morrissey: Fandom, Representations and Identities, Bristol: Intellect Books …, 2011 | 5 | 2011 |
Martin J. PowerAssociate Professor in Sociology, University of Limerick, IrelandGeverifieerd e-mailadres voor ul.ie
