Cognitive priming in sung and instrumental music: activation of inferior frontal cortex B Tillmann, S Koelsch, N Escoffier, E Bigand, P Lalitte, AD Friederici, ... Neuroimage 31 (4), 1771-1782, 2006 | 262 | 2006 |
The time course of emotional responses to music E Bigand, S Filipic, P Lalitte Annals of the New York Academy of Sciences 1060 (1), 429-437, 2005 | 166 | 2005 |
The influence of musical relatedness on timbre discrimination B Tillmann, E Bigand, N Escoffier, P Lalitte European Journal of Cognitive Psychology 18 (03), 343-358, 2006 | 65 | 2006 |
Effects of a change in instrumentation on the recognition of musical materials B Poulin-Charronnat, E Bigand, P Lalitte, F Madurell, S Vieillard, ... Music Perception 22 (2), 239-263, 2004 | 51 | 2004 |
Boosting syntax training with temporally regular musical primes in children with cochlear implants N Bedoin, AM Besombes, É Escande, A Dumont, P Lalitte, B Tillmann Annals of physical and rehabilitation medicine 61 (6), 365-371, 2018 | 44 | 2018 |
Rhythmic and textural musical sequences differently influence syntax and semantic processing in children LH Canette, P Lalitte, N Bedoin, M Pineau, E Bigand, B Tillmann Journal of experimental child psychology 191, 104711, 2020 | 40 | 2020 |
Music in the moment? Revisiting the effect of large scale structures P Lalitte, E Bigand Perceptual and motor skills 103 (3), 811-828, 2006 | 39 | 2006 |
The perceptual structure of thematic materials in The Angel of Death P Lalitte, E Bigand, B Poulin-Charronnat, S McAdams, C Delbé, ... Music Perception 22 (2), 265-296, 2004 | 37 | 2004 |
Regular rhythmic primes boost P600 in grammatical error processing in dyslexic adults and matched controls LH Canette, A Fiveash, J Krzonowski, A Corneyllie, P Lalitte, D Thompson, ... Neuropsychologia 138, 107324, 2020 | 35 | 2020 |
Apprendre la musique: Perspectives sur l'apprentissage implicite de la musique et ses implications pédagogiques B Tillmann, F Madurell, P Lalitte, E Bigand Revue française de pédagogie, 63-77, 2005 | 31 | 2005 |
On listening to atonal variants of two piano sonatas by Beethoven P Lalitte, E Bigand, J Kantor-Martynuska, C Delbé Music Perception 26 (3), 223-234, 2009 | 27 | 2009 |
Discrimination of tonal and atonal music in congenital amusia: The advantage of implicit tasks B Tillmann, P Lalitte, P Albouy, A Caclin, E Bigand Neuropsychologia 85, 10-18, 2016 | 24 | 2016 |
Towards a semiotic model of mixed music analysis P Lalitte Organised sound 11 (2), 93-100, 2006 | 19 | 2006 |
The theories of Helmholtz in the work of Varese P Lalitte Contemporary Music Review 30 (5), 327-342, 2011 | 17 | 2011 |
Looking into the eyes of a conductor performing Lerdahl's “Time after Time” E Bigand, P Lalitte, F Lerdahl, JM Boucheix, Y Gérard, T Pozzo Musicae Scientiae 14 (2_suppl), 275-294, 2010 | 17 | 2010 |
Rhythmic priming of grammaticality judgments in children: Duration matters A Fiveash, N Bedoin, P Lalitte, B Tillmann Journal of Experimental Child Psychology 197, 104885, 2020 | 15 | 2020 |
Influence of expressive versus mechanical musical performance on short-term memory for musical excerpts B Tillmann, WJ Dowling, P Lalitte, P Molin, K Schulze, ... Music Perception: An Interdisciplinary Journal 30 (4), 419-425, 2012 | 15 | 2012 |
Analyser l’interprétation de la musique du XXe siècle. Une analyse de l’interprétation des Dix pièces pour quintette à vent de György Ligeti P Lalitte Language, 2015 | 14 | 2015 |
L’architecture du timbre chez Varese: la médiation de l’acoustique pour produire du son organisé P Lalitte Analyse musicale 47, 34-43, 2003 | 12 | 2003 |
The regularity of rhythmic primes influences syntax processing in adults LH Canette, N Bedoin, P Lalitte, E Bigand, B Tillmann Auditory Perception & Cognition 2 (3), 163-179, 2019 | 11 | 2019 |