| Grounds, 1400-1900 M Stols-Witlox LondonRoutledge, 2012 | 46 | 2012 |
| Historical recipes for preparatory layers for oil paintings in manuals, manuscripts and handbooks in North West Europe, 1550-1900: analysis and reconstructions M Stols-Witlox Universiteit van Amsterdam, 2014 | 34 | 2014 |
| Reconstruction, replication and re-enactment in the humanities and social sciences S Dupré, A Harris, J Kursell, P Lulof, M Stols-Witlox Amsterdam University Press, 2020 | 31 | 2020 |
| A perfect ground: preparatory layers for oil paintings 1550-1900 M Stols-Witlox LondonArchetype, 2017 | 29 | 2017 |
| 'To prepare white excellent...': reconstructions investigating the influence of washing, grinding and decanting of stack-process lead white on pigment composition and particle size M Stols-Witlox, L Megens, L Carlyle LondonArchetype, 2012 | 24 | 2012 |
| The synthesis of new types of lead and zinc soaps: A source of information for the study of oil paint degradation JJ Hermans, K Keune, A Van Loon, MJN Stols-Witlox, RW Corkery, ... ICOM committee for conservation 17th triennial conference preprints …, 2014 | 23 | 2014 |
| The heaviest and the whitest”: lead white quality in north western European documentary sources, 1400-1900 M Stols-Witlox Studying old master paintings: technology and practice. London: Archetype …, 2011 | 23 | 2011 |
| Historically accurate ground reconstructions for oil paintings L Carlyle, JJ Boon, R Haswell, M Stols-Witlox Preparation for Painting, 110-122, 2008 | 17 | 2008 |
| UV-Vis Luminescence imaging techniques/Técnicas de imagen de luminiscencia UV-Vis L Fuster López, M Stols-Witlox, M Picollo Editorial Universitat Politècnica de València, 2020 | 16 | 2020 |
| Delamination Due to Zinc Soap Formation in an Oil Painting by Piet Mondrian (1872–1944) Conservation Issues and Possible Implications for Treatment LE Raven, M Bisschoff, M Leeuwestein, M Geldof, JJ Hermans, ... Metal soaps in art: conservation and research, 343-358, 2019 | 16 | 2019 |
| Evaluation of novel cleaning systems on mock-ups of unvarnished oil paint and chalk-glue ground within the Munch Aula Paintings Project LP Stoveland, T Frøysaker, M Stols-Witlox, T Grøntoft, CC Steindal, ... Heritage Science 9, 1-32, 2021 | 15 | 2021 |
| Mathematical modeling of mature oil paint networks PD Iedema, JJ Hermans, K Keune, A van Loon, MJN Stols-Witlox ICOM-CC 17th Triennial Conference Preprints, Melbourne, 15-19, 2014 | 10 | 2014 |
| Edvard Munch’s monumental Aula paintings: a review of soiling and surface cleaning issues and the search for new solutions LP Stoveland, M Stols-Witlox, B Ormsby, F Caruso, T Frøysaker Interactions of water with paintings. London: Archetype Publications, 85-99, 2019 | 9 | 2019 |
| ‘From reading to painting’: authors and audiences of Dutch recipes for preparatory layers for oil painting M Stols-Witlox Early Modern Low Countries 1 (1), 71-134, 2017 | 8 | 2017 |
| Imperfect copies. Reconstructions in conservation research and practice M Stols-Witlox Reconstruction, Replication and Re-enactment in the Humanities and Social …, 2020 | 6 | 2020 |
| “By no means a trivial matter”. The influence of the colour of ground layers on artists’ working methods and on the appearance of oil paintings, according to historical recipes … M Stols-Witlox Oud Holland 128 (205), 171-186, 2015 | 6 | 2015 |
| Final varnishes for oil paintings in Holland, 1600-1900: evidence in written sources M Stols-Witlox Zeitschrift für Kunsttechnologie und Konservierung 15 (2), 241-284, 2001 | 6 | 2001 |
| Designing paint mock-ups for a study of novel surface cleaning techniques for munch’s unvarnished Aula Paintings LP Stoveland, B Ormsby, M Stols-Witlox, T Frøysaker, F Caruso Conservation of Modern Oil Paintings, 553-563, 2019 | 5 | 2019 |
| Evolon® CR Microfibre Cloth as a Tool for Varnish Removal M Vergeer, KJ van den Berg, S van Oudheusden, M Stols-Witlox Conservation of Modern Oil Paintings, 587-596, 2019 | 5 | 2019 |
| Grounds, 1400–1900. Including: Twentieth-century grounds M Stols-Witlox, B Ormsby, M Gottsegen Conservation of easel paintings. New York: Routledge, 153-188, 2013 | 5 | 2013 |
