| Reframing the remake: Dutch-Flemish monolingual remakes and their theoretical and conceptual implications E Cuelenaere, S Joye, G Willems Frames Cinema Journal, 2016 | 20 | 2016 |
| Local flavors and regional markers: The Low Countries and their commercially driven and proximity-focused film remake practice E Cuelenaere, S Joye, G Willems Communications 44 (3), 262-281, 2019 | 16 | 2019 |
| Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender E Cuelenaere, G Willems, S Joye European Journal of Cultural Studies 22 (5-6), 613-629, 2019 | 14 | 2019 |
| Towards an Integrative Methodological Approach of Film Remake Studies E Cuelenaere Adaptation, 1-14, 2020 | 12 | 2020 |
| The remake industry: The practice of remaking films from the perspective of industrial Actors E Cuelenaere Adaptation 14 (1), 43-63, 2021 | 10 | 2021 |
| Same same same, but different: a comparative film analysis of the Belgian, Dutch and American Loft E Cuelenaere, G Willems, S Joye Tijdschrift voor Communicatiewetenschap 46 (4), 263-279, 2018 | 9* | 2018 |
| European film remakes E Cuelenaere, G Willems, S Joye Edinburgh University Press, 2021 | 3 | 2021 |
| Why small European film industries remake each other’s successes: the case of the Low Countries E Cuelenaere, S Joye, G Willems The Routledge Companion to European Cinema, 201, 2021 | 2 | 2021 |
| Originality versus proximity: An explorative study of audience reactions to monolingual film remakes E Cuelenaere International Journal of Cultural Studies 24 (2), 233-249, 2021 | 2 | 2021 |
| On differences that make the difference: a multi-methodological research project on monolingual film remakes in small film industries: the case of Flanders and the Netherlands E Cuelenaere Ghent University, 2020 | 2 | 2020 |
| From Undercover to Ferry: SVOD Franchise Development in Small European Audiovisual Markets E Cuelenaere, S Joye European Cinema in the Streaming Era: Policy, Platforms, and Production, 259-280, 2024 | 1 | 2024 |
| Sensible Use (rs) and the Construction of Self-Identity in Research Interviews: A Qualitative Exploration of how Middle-Aged and Older Adults Search for and Use Online Health … M Huisman, E Cuelenaere, S Joye, D Biltereyst European Journal of Health Communication 2 (2), 44-65, 2021 | 1 | 2021 |
| A ‘Double Take’ on the Nation(al) in the Dutch-Flemish Monolingual Film Remake E Cuelenaere Intercultural Screen Adaptation: British and Global Case Studies, 222-240, 2020 | 1 | 2020 |
| IR Smith: The Hollywood meme: Transnational adaptations in world cinema E Cuelenaere Communications 42 (3), 387-389, 2017 | 1 | 2017 |
| Changing love in ‘Scener ur ett äktenskap’(Ingmar Bergman, 1973) J Van Belle, E Cuelenaere Tijdschrift voor Skandinavistiek 35 (1), 2017 | 1 | 2017 |
| How “original” are Netflix Original films? Mapping and understanding the recycling of content in the age of streaming cinema E Cuelenaere Media, Culture & Society, 01634437231224081, 2024 | | 2024 |
| Rewind, recycle, revive! An investigation into nostalgia-driven sequel and requel practices in small European film industries: The case of Flanders A De Cock, E Cuelenaere, G Willems, S Joye NECS, 2023 | | 2023 |
| Waarom nieuwe Vlaamse films maken als je er Nederlandse kunt recycleren E Cuelenaere Humbug, 22-27, 2022 | | 2022 |
| The colour remakes of Swedish classics in the 1950s: production, promotion and critical reception in the context of technological innovation K Sanyal, E Cuelenaere European Film Remakes, 117-129, 2021 | | 2021 |
| The film remake as a prism: towards a model of systematic textual analysis E Cuelenaere European Film Remakes, 19-32, 2021 | | 2021 |
Stijn JoyeGhent University (Belgium)Verified email at ugent.be
