| Psychological ownership and music streaming consumption G Sinclair, J Tinson Journal of Business Research 71, 1-9, 2017 | 265 | 2017 |
| Download or stream? Steal or buy? Developing a typology of today's music consumer G Sinclair, T Green Journal of Consumer Behaviour 15 (1), 3-14, 2016 | 93 | 2016 |
| Heavy metal figurations: Music consumption, subcultural control and civilizing processes G Sinclair, P Dolan Marketing Theory 15 (3), 423-441, 2015 | 51 | 2015 |
| Sport fandom and parenthood J Tinson, G Sinclair, D Kolyperas European Sport Management Quarterly 17 (3), 370-391, 2017 | 41 | 2017 |
| Preparing for a world without markets: Legitimising strategies of preppers N Campbell, G Sinclair, S Browne Journal of Marketing Management 35 (9-10), 798-817, 2019 | 39 | 2019 |
| Do they know it’s CSR at all? An exploration of socially responsible music consumption T Green, G Sinclair, J Tinson Journal of Business Ethics 138, 231-246, 2016 | 31 | 2016 |
| A scoping review of research on online hate and sport C Kearns, G Sinclair, J Black, M Doidge, T Fletcher, D Kilvington, K Liston, ... Communication & Sport 11 (2), 402-430, 2023 | 26 | 2023 |
| Music in the time-spectrum: routines, spaces and emotional experience G Sinclair, J Tinson, P Dolan Leisure Studies 38 (4), 509-522, 2019 | 20 | 2019 |
| Involvement and detachment: The application of figurational sociology methodologies in consumer research and macromarketing G Sinclair Journal of Macromarketing 36 (1), 27-40, 2016 | 14 | 2016 |
| Retreating Behind the Scenes: The ‘Less’-Civilizing Impact of Virtual Spaces on the Irish Heavy Metal Scene G Sinclair The Ashgate Research Companion to Fan Cultures, 209-222, 2016 | 12 | 2016 |
| Heavy metal rituals and the civilising process G Sinclair Can I Play With Madness? Metal, Dissonance, Madness and Alienation, 91-100, 2011 | 12 | 2011 |
| How value is disrupted in football fandom, and how fans respond J Tinson, G Sinclair, R Gordon European Sport Management Quarterly 23 (2), 411-428, 2023 | 9 | 2023 |
| Download or stream G Sinclair, T Green Steal or buy, 2016 | 7 | 2016 |
| Chastising and romanticising heavy metal subculture: challenging the dichotomy with figurational sociology G Sinclair Technological University Dublin, 2011 | 7 | 2011 |
| Music and well-being: a transformative consumer research perspective G Sinclair, J Tinson Journal of Marketing Management 37 (15-16), 1605-1623, 2021 | 6 | 2021 |
| Bad Robot: A Preliminary Exploration of the Prevalence of Automated Software Programmes and Social Bots in the COVID-19# antivaxx Discourse on Twitter A Egli, P Rosati, T Lynn, G Sinclair Proceedings of the The International Conference on Digital Society, Nice …, 2021 | 6 | 2021 |
| Marketing and Music in an Age of Digital Reproduction G Sinclair, M Saren European Journal of Marketing 53 (3), 402-411, 2019 | 6 | 2019 |
| A Critical Analysis of Past and Present Campaigns to Challenge Online Racism in English Professional Football D Kilvington, J Black, M Doidge, T Fletcher, C Kearns, K Liston, T Lynn, ... Hate Crime in Football, 83-102, 2023 | 4 | 2023 |
| The broken record: How the music industry is making sense of uncertainty and change T Green, G Sinclair Canadian Journal of Administrative Sciences/Revue Canadienne des Sciences de …, 2022 | 2 | 2022 |
| Who cares if Taytay 1 gets pay pay? Shake it off: The apathy of the contemporarymusic consumer G Sinclair Digital Piracy, 161-181, 2018 | 2 | 2018 |
Professor Julie TinsonUniversity of StirlingGeverifieerd e-mailadres voor stir.ac.uk
