Critical theory, public sphere and culture. Jürgen Habermas and his critics PU Hohendahl, M Silberman New German Critique, 89-118, 1979 | 254 | 1979 |
Brecht on film & radio B Brecht Bloomsbury Publishing, 2015 | 252* | 2015 |
German cinema: texts in context M Silberman Wayne State University Press, 1995 | 136 | 1995 |
“Political Cinema as Oppositional Practice: Weimar and Beyond,” in The German cinema book M Silberman, T Bergfelder, G Carter, Erica British Film Institute, 2002 | 119* | 2002 |
“Heiner Müllers Brecht,” in Heiner Müller Handbuch: Leben, Werk, Wirkung M Silberman, HT Lehmann, P Primavesi Metzler, 2003 | 101* | 2003 |
Introduction to reception aesthetics PU Hohendahl, M Silberman New German Critique, 29-63, 1977 | 97 | 1977 |
Passion and rebellion: the expressionist heritage SE Bronner, D Kellner (No Title), 1983 | 88 | 1983 |
Cinema no mundo: Europa A Meleiro Escrituras Editora, 2007 | 85 | 2007 |
"Imagining History: Weimar Images of the French Revolution" M Silberman, B Murray, C Wickham Framing the past: the historiography of German cinema and television, 99-120, 1992 | 72* | 1992 |
“Germany,” in The international movie industry M Silberman, G Kindem SIU Press, 2000 | 70* | 2000 |
"Brecht and Film" M Silberman, S Mews A Bertolt Brecht reference companion, 197-219, 1997 | 69* | 1997 |
Brecht on Performance: Messingkauf and Modelbooks T Kuhn, S Giles, M Silberman Bloomsbury Methuen Drama, 2014 | 58* | 2014 |
“Popular Cinema, National Cinema, and European Integration,” in German Pop Culture: How" American" is It? M Silberman, A Müller University of Michigan Press, 2004 | 53* | 2004 |
"Late Pabst - The Last Ten Days (1955)" M Silberman, E Rentschler The Films of GW Pabst: an extraterritorial cinema, 208-16, 268-70, 1990 | 46* | 1990 |
Bertolt Brecht, Politics, and Comedy M Silberman Social Research: An International Quarterly 79 (1), 1-32, 2012 | 45 | 2012 |
“European Cinema in the 90s: Whither Germany?” in Schreiben nach der Wende M Silberman, D Roberts, G Fischer Stauffenburg-Verlag, 2001 | 41* | 2001 |
Problematizing the Socialist Public Sphere: Concepts and Consequences M Silberman What Remains, 1-37, 1997 | 39 | 1997 |
How Women See Themselves M Silberman, K Phillips New German filmmakers: from Oberhausen through the 1970s, 320-34, 1984 | 38* | 1984 |
Remembering history: the filmmaker Konrad Wolf M Silberman New German Critique, 163-191, 1990 | 35 | 1990 |
Brecht on Theatre M Silberman, S Giles, T Kuhn Bloomsbury Methuen Drama, 2014 | 34* | 2014 |