The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? F Vandenberg, M Berghman, J Schaap European societies 23 (sup1), S141-S152, 2021 | 177 | 2021 |
Put Your “Hand Emotes in the Air:” Twitch Concerts as Unsuccessful Large‐Scale Interaction Rituals F Vandenberg Symbolic Interaction 45 (3), 425-448, 2022 | 24 | 2022 |
‘Wear Clogs and just Act Normal’: Defining Collectivity in Dutch Domestic Music Concerts F Vandenberg, M Berghman, K van Eijck Cultural Sociology, 1749975520961618, 2021 | 13 | 2021 |
The show must go on (line): livestreamed concerts and the hyper-ritualisation of genre conventions F Vandenberg, M Berghman Poetics 103, 101782, 2024 | 4 | 2024 |
Festival atmospheres: Social, spatial, and material explorations of physically distanced festivals B Swartjes, F Vandenberg Remaking Culture and Music Spaces, 21-33, 2022 | 3 | 2022 |
Taste patterns of the 'illegitimate' culture consumer F Vandenberg | 2 | 2018 |
Balkonconcerten, lockdownsessies en quarantunes: muziek als sociale geleider tijdens de COVID-19-pandemie J Schaap, F Vandenberg, M Berghman Sociologie, 2020 | 1 | 2020 |
The impact of different music genres on pain tolerance: emphasizing the significance of individual music genre preferences ES Van der Valk Bouman, AS Becker, J Schaap, M Berghman, ... Scientific Reports 14 (1), 1-11, 2024 | | 2024 |
All together now: Live (streamed) music as collective practice F Vandenberg Erasmus University Rotterdam (EUR), 2023 | | 2023 |
Muziek als medicijn tegen maatschappelijke kwalen? P Berkers, J Schaap, F Vandenberg, R Everts, B Swartjes, D Goossens, ... Sociologie Magazine 29 (1), 6-9, 2021 | | 2021 |
Het sociale lichaam blootgelegd F Vandenberg Tijdschrift Sociologie 14 (2-3), 243-247, 2018 | | 2018 |
ALL TOGETHER NOW F VANDENBERG | | |