[PDF][PDF] what you get is what you see: Digital images and the claim on the real

FE Kessler, M van den Boomen, S Lammes - 2009 - library.oapen.org
In 1898 Boleslas Matuszewski, a photographer and former court cinematographer of Tsar
Nikolas II, published a booklet in France entitled Une nouvelle source de l’histoire in which he …

[PDF][PDF] Ostranenie, Innovation, and Media History

FE Kessler, A van den Oever - 2010 - frankkessler.nl
There are, undoubtedly, many ways in which Viktor Shklovsky’s concept of ostranenie can be
used in a variety of fields. Even though the concept was conceived with regard to literature, …

The Screen and the Concept of Dispositif-A Dialogue

FE Kessler, D Chateau, J Moure - 2016 - degruyter.com
DC-JM: Among the theorists who try to define the screening situation as a dispositif, your
propositions are particularly interesting and particularly precise. In this respect, we are primarily …

[CITAAT][C] The cinema of attractions as dispositif

FE Kessler, W Strauven - 2006 - Amsterdam University Press

[CITAAT][C] Layers of Cheese. Generic Overlap in Early Non-Fiction Films on Production Processes

FE Kessler, EL Masson, V Hediger, P Vonderau - 2009 - Amsterdam University Press

[CITAAT][C] programming and performing Early Cinema Today: strategies and Dispositifs

FE Kessler, M Loiperdinger - 2011 - John Libbey

[CITAAT][C] A Trip to the Moon as Féerie

FE Kessler, M Solomon - 2011 - State Universtiy of New York Press

[CITAAT][C] Actualités

FE Kessler, R Abel - Encyclopedia of Early Cinema, 2005 - Routledge

[CITAAT][C] Trick Films

FE Kessler, R Abel - Encyclopedia of Early Cinema, 2005 - Routledge

[CITAAT][C] Distribution-Preliminary Notes

FE Kessler, F Kessler, N Verhoeff - 2007 - John Libbey